‘Pink Floyd at Pompeii’ returning to theaters with new 4K restoration, being released as a live album for first time

Pink Floyd‘s classic 1972 concert film Pink Floyd at Pompeii has gotten a new 4K restoration, with its soundtrack remixed in Dolby Atmos by Steven Wilson. This restored version of the film will hit theaters and IMAX on April 24. Here’s more:

Set in the hauntingly beautiful ruins of the ancient Roman Amphitheater in Pompeii, Italy, the film captures Pink Floyd performing an intimate concert without an audience. Filmed in October 1971, the performance features unforgettable tracks such as “Echoes,” “A Saucerful of Secrets,” and “One of These Days.” The breathtaking visuals of the amphitheater, captured both day and night, amplify the magic of the performance, creating a unique and immersive experience. Additionally, the film includes rare behind-the-scenes glimpses of the band working on The Dark Side of the Moon at Abbey Road Studios.

This meticulous restoration delivers stunning image and sound quality, featuring a theatrical and home entertainment mix from Steven Wilson in 5.1 and Dolby Atmos. These upgrades enhance the film’s depth and clarity while preserving the authenticity and spirit of the original 1972 release. Inspired by the golden warmth of Pompeii’s iconic setting, the remaster transforms this timeless piece into a masterpiece of sight and sound. Experience Pink Floyd like never before through this pioneering audio-visual remaster!

Tickets for screenings of Pink Floyd at Pompeii go on sale March 5. You can watch “Echoes” from the new restoration/mix below. The film will then hit Blu-ray and DVD on April 30.

Meanwhile, Pink Floyd at Pompeii will be released as a standalone live album for the first time ever, available on vinyl, CD, Blu-ray, and Dolby Atmos on May 2. (Preorder here.) It also comes with two bonus tracks: the full unedited performance of “A Saucerful of Secrets,” and an alternate take of “Careful With That Axe, Eugene.” Check out the vinyl packaging and tracklist below.

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